|

@ The
Living Arts & Science Center
The Gloria Singletary
Gallery exhibitions program at The Living Arts & Science Center aims to
provide our members and the public exhibits of exceptional quality and
outstanding artistic merit. The LASC is also dedicated to offering
innovative emerging and established artists an opportunity to continue
developing their creative potential and investigations while affording
valuable exposure. A non-profit organization, we seek to provide a diverse
context for area art production by supporting artist’s projects and
collaborations also associated with other regional non-profit organizations.
Our goal is to increase awareness and appreciation of the visual fine arts
and to promote critical contemplation and discourse within the local
community and beyond.
All exhibitions are free and open to the public.
_________________________________________________

THE GLORIA SINGLETARY GALLERY
@ The Living Arts & Science
Center requests proposals
for 2009
exhibitions. To view the RFP
submission guidelines and submit a proposal, click
here.
For additional
RFP
entry forms, click
here.
_________________________________________________
CurrentExhibit

June 2 - July 11, 2008
ANIMAL PORTRAITS: Paintings by
Ken Hoffman
Gallery Hop
Reception: Friday, June 20, 5 – 8 PM
If Chicken Man, Fish Man, Cat Woman or
Monkey Man were to show up at your front door, you might be
tempted to buy life insurance from them or perhaps open a checking
account, that is if they somehow found their ways off their perspective
canvases. Sporting suits and ties, these animals dressed as people, or
people dressed as animals (whichever the case may be) seem to inhabit
our everyday life.
Their likenesses have been captured in the stuffy tradition
of bankers’ portraits, but the attitude conveyed and the manner in which
these paintings are rendered are anything but conventional. Formal in
composition, Ken Hoffman’s paintings expose paint and color in an
energetic and playful manner. About his technique he claims,
“Technically, I try to achieve painterly surface effects and a sensuous
buildup of oil paint. Color is used as part of a complex method of mark
making which is incorporated into the primary forms and surrounding
spaces.”
Canvases ranging in size from four to five inches up to
twelve feet in length show that Hoffman is cognizant of human (or
animal) nature and each work he says “contains elements of satire,
fantasy, humor and social commentary.” Hoffman adds that his “main
objective has been to pursue the vigorous and quasi-surreal approach to
the human head. It is my intention to convey to the viewer animal-people
expressions and to show how close humans are to animal counterparts.”
Ken Hoffman’s Animal Portraits draw inspiration from novellas and
plays and as the artist states “The impact of imagery parallels certain
kinds of modern literature such as that written by Orwell, Kafka,
Beckett and others, i.e. “Animal Farm,” “Metamorphosis,” “Waiting for Godot,” etc.”
One thing is for sure: Hoffman’s animal-people have character
and they’re not afraid to show it.
Kenneth Hoffman is a Professor Emeritus at Bradley University
in Peoria, IL. He began teaching in the art department at Bradley in
1968. He earned B.F.A. and M.F.A. degrees from the San Francisco Art
Institute. In addition to exhibiting in New York City, Paris, Germany,
Poland, Australia, Hawaii, Ireland and Argentina, Hoffman's paintings
are included in the following public collections: Rockford Art Museum,
Rockford, IL; Lakeview Museum, Peoria, IL; Museum of Contemporary Art,
Chicago, IL; Chicago International Art Exposition, Chicago, IL, and
numerous private collections. Hoffman was featured in “Art Scene Chicago
2000” and his most recent international exhibition was as a participant
in Comparison 2004 in Paris, France.
_________________________________________________
UpcomingExhibits

July 21 - September 5, 2008
SUMMER SEMESTER STUDENT SHOW
This year the Living Arts & Science Center offers an
extensive Summer program with up to 150
creative art and science classes. Students from 18 months to
108 years old (or older!) will experience hands-on creative learning and
will be able to express themselves through a wide variety of two and
three-dimensional art including painting, drawing, pottery, fiber art,
photography, cartooning and animation, architecture, sculpture, and
more. For seven weeks through the Summer Semester, artworks created in
the classes will be on view in a rotating exhibition in the Gloria
Singletary Gallery at the LASC. From Art on the Go!,
Mixed Media Mania and Get Messy With Mud to
Mad Scientists, Around the
World and Back in Time and
Global Fabrics and Fashions, the gallery walls will
house the many and wonderful artworks students have put their hearts,
minds and sullied hands to.
Be sure to check the gallery each week as every visit will be
a new adventure. The rotating exhibition will
amaze you with its variety and breadth of imagination. The
Summer Semester Student Show
reminds us that the art and science classes at the LASC not only foster
students’ creativity, but also strengthen their character,
self-awareness, self-esteem, sensitivity and critical-thinking skills.
Don’t miss this summertime display of innovative and diverse artworks…
it ssssizzles with creativity!
_________________________________________________
PastExhibits
April 14 - May 23, 2008
CAST OFFS!
From iPods to childrens’ toys to space
shuttles and the family car, ninety percent of all manufactured goods
contain one or more cast metal components. Though 20th century foundries
have by now nearly perfected the process, the
art of pouring metal and the science of metallurgy
have been around long before the Declaration of Independence (seven signers
of the Declaration were metal casters and foundrymen). It dates back
to 3200 B.C. when a copper frog, the oldest known casting in existence, was
cast in Mesopotamia. The second-oldest industry
known to mankind, metal casting plays an integral part in our modern day
lives. It has also historically served as a major means of artistic
production and continues to be the medium of choice for many sculptors
working today.
CAST OFFS!
is an exhibition hosted
in the LASC’s Gloria Singletary Gallery in conjunction with our 2008
Family Fun Day and features the works of local metal sculptors who
employ the casting process in their work. Among several other artists, the
exhibition will include Gerard Masse, founder of Sculpture Trails Outdoor
Museum in Solsberry, Indiana who will be bringing a traveling foundry and
running the metal pour at Family Fun Day, and Michael Maxson who will
be designing a permanent outdoor community sculpture celebrating the Living
Arts & Science Center’s forty years of creativity.
Both
Maxson and Masse have Master of Fine Arts degrees in Sculpture from the
University of Kentucky. Masse, knows his metal. He has been a member of the
Furnace Crew at the Ironbridge Open Air Museum of Steel Sculpture in
Coalbrookdale, England and the museum’s Recruitment Officer for the past six
years. He is also currently the artist in residence at Tuska Studio and Fine
Art Foundry in Lexington. Masse’s latest works are truly drawings made of
metal in low relief. “The artwork I produce comes straight from life. I use
my sketchpad as a tool and break the forms down to their basic formal
elements. Recreating them in real space to produce a visual story in the
round,” says Masse. His metal castings, be they iron or aluminum, do tell a
story. He adds, “My obligation as an artist is to reflect the life around
me.” His works are indeed active and lively and yet also seem to be on the
sober at times.
Michael Maxson, owner of The Atelier, a sculpture
studio and custom metal fabrication shop in downtown Lexin gton, designs
and creates sculpture by commission and custom metalwork including home
furnishings, architectural details and ornamental ironwork for public and
private collections. From thirty-foot-tall pieces to smaller works that hang
on the wall, his sculptures are stern in material (the majority of which are
made from fabricated steel or aluminum or cast bronze and aluminum) yet
whimsical in approach. Drawing on his BA degree in Architecture, also from
the University of
Kentucky,
Maxson’s works often reveal an underlying structure, a fixed and more formal
slant, that ironically results in a rather fantastical work of art. Several
of his outdoor public sculptures can be seen at the
Cedar Rapids Museum of Art, the LFUCG and University
of Kentucky’s Arboretum, Georgetown College, and SCAPA at Bluegrass.
James
Wade’s cast metal barns and rural buildings atop wood, stone and metal
“fields” not only speak of material, process and craft, but also reveal
a sense of geographical recollection and undoubtedly reference his
growing up in Kentucky. Wade says about his work, “My creative work
focuses on a sense of place. It involves the vernacular landscape and
narrative storytelling in sculpture. Ideas such as boundary, horizon,
architecture and material-use figure strongly in the works I create.”
Members of the
community can be part of LASC history and become metal sculptors for the
day by coming to the Living Arts & Science Center’s
Family Fun Day on Saturday,
May 17, 2008 from 10 AM – 3 PM. Individuals can create a cast metal work
of art for themselves or for the LASC’s community sculpture. To be part
of the cast, be sure to
visit the Gloria Singletary Gallery’s
CAST OFFS! and come to
Family Fun Day.
_________________________________________________

February 25 - April 5, 2008
ADDRESS AND REDRESS:
A Group Exhibition of
Kentucky Women Artists
Address and Redress was an exhibition hosted by the Gloria Singletary Gallery at
the Living Arts & Science Center in honor of National Women's History Month.
It celebrated the 2008 theme of visionary female artists while recognizing
women artists working
in Kentucky.
Address and Redress boasted a variety of media and
revolved around representing Kentucky women, women’s roles,
and their place and work that more specifically examined the relationship
between gender identity, clothing, and the body.
Address and
Redress featured
the work of Freda Fairchild, Nicole Hand, Susan King, Elizabeth Mesa-Gaido,
Jamie Kuli McIntosh, Cynthia Norton, Esther Randall, and Felicia Szorad.
Each of the female artists have been awarded the Kentucky Foundation for
Women’s Artist Enrichment Grant and each offered a regional, yet individual
take on the creative process and its link to the lives of women. They define
the world and the self, questioning traditional notions of identity and
giving voice to those who are otherwise not heard, via artistically
innovative and socially relevant work as they “address and redress” the
issues.
Special Guest Artist Presentation by Susan King,
Tuesday, March 18, 2008, 6:30 – 8:30 PM
Accompanying the exhibition was a special guest presentation
lead by artist, writer and Address and Redress participant, Susan
King. Now living in Mt. Vernon, Kentucky, King was part of the women's art
movement in California in the 1970s and studied with Judy Chicago and other
artists and writers at the experimental Feminist Studio Workshop. She then
became studio director of the Women’s Graphic Center at one of the major
centers of activity, the Woman's Building in Los Angeles. She is also a
National Museum of Women in the Arts Library and Research Center Fellow.
Along with other artists participating in Address and Redress, King
discussed the exhibition, her works as an artist and writer and her role in
the feminist art movement.
_________________________________________________

January 7 - February 14, 2008
H'Artful of
Fun: An Evening at the Factory preview exhibition
The
Living Arts & Science Center was delighted to present over
seventy-five original artworks from local artists in its Gloria
Singletary Gallery from January 7 – February 14, 2008. The preview
exhibition lead up to the Center’s 18th Annual
H’Artful of Fun fundraiser and gave patrons a sneak peak at what
would be offered at the silent auction on February 16th.
Art enthusiasts and collectors could take advantage of the preview
exhibition’s “Buy It Now” feature and purchase the one-of-a-kind
works directly from the gallery before the H’Artful of Fun: An
Evening at the Factory event. It was a wonderful opportunity to
get a jump on the bidding wars and a great way to get a glimpse of
some of the most unique artworks Lexington has to offer.
Local artists and collectors contributed the
one-of-a-kind works in support of the LASC’s many art and
educational programs and services it offers to over 35,000 Central
Kentuckians each year. The works exhibited in this years H’Artful
of Fun Preview Exhibition ranged from the more traditional media
such as figurative oil painting and pastel on paper to a fused glass
vessel by Dan Neil Barnes, a vinyl-printed comic by Kenn Minter, and
a mixed media piece incorporating studio fragments and plastic by
Louisville artist Keith Linton. There were also a number of creative
craft and functional items available this year such as batik pillows
by Lucinda Alston Chapman, quilted evening bags by Jean Porter, and
a woven leather basket by Ken Guyer, owner of the Last Genuine
Leather Company.
This
year’s H’Artful of Fun silent art auction also featured
sixteen original prints donated by Danville art collector, Jack
Hankla, by artist Rudolfo (Rudy) Ayoroa
(1927-2003), an internationally known painter, sculptor and
printmaker from Bolivia who lived and worked in Danville, Kentucky
for over 20 years. Ayoroa is well-known locally for his later
paintings and sculptural works on the American Civil War. For
H’Artful of Fun the Living Arts & Science Center presented his
earlier abstract prints similar to his color
serigraphs in the permanent collections of the
Hirshhorn Museum and Sculpture Garden in Washington, DC.
H’Artful of Fun:
An Evening at the Factory's
event sponsors were
Quantrell Cadillac, National City Bank, Chase Bank, Fifth Third
Bank, Keeneland Association, Ball Homes, S&S Tire, Four Roses, WKYT-TV,
and LM Communications.
_________________________________________________

November 12 -
December 29, 2007 KID
GIANTS by John Lackey
The Gloria Singletary Gallery at The Living Arts & Science
Center was pleased to offer Kid Giants, an exhibition of work
by local artist John Lackey. Several years ago Lackey put aside
nearly twenty years of printmaking, as well as his day job as art
director at a TV station, to pursue painting full time. His
landscapes are informed by two decades of carving blocks, which has
resulted in a somewhat linear element to his style, and at times, a
tendency to layer. Lackey’s paintings are all based on photographs
taken while out hiking or driving except for those he says that are
“just based on doodles.”
Lackey says about his work, “By painting landscapes
of points of interest both regional and national, in a fluid
language of birds and bops, these pieces strive to combine the
beauty of natural structures with the energy of people and their
civilizations, leaving hazy implications in the grasses and leaves,
revealing the shadow of a fleeting imprint of an underlying order,
only hints of which will we understand, until we see it all from a
far greater perspective. Abstract patterns form. A new path along a
familiar creek. Dancing leaves. Faces in the trees. We’ve all seen ‘em.”
Lackey strives to “keep his landscapes landscapes, and his abstracts
abstracts, but each is drawn to the other.” Lackey himself appears
to be drawn to a melding of artistic pursuits and earning a living.
He still does the occasional (lately more frequent) freelance job,
whether it be a birth announcement, logo design, the window of a
restaurant, such as Alfalfa, or a mural, like that at Mellow
Mushroom Pizza Bakers. He has done most of the art for the
Terrapin Hill Farm
Festival series and recently had the good fortune to be an art
editor and art contributor to Spit In The Ocean #7, a tribute to Ken
Kesey by his friends and contemporaries, edited by author
Ed McClanahan. This
particular project led to a book tour on the west coast aboard
Kesey’s bus “Furthur”, with many members of the intrepid Merry
Pranksters in tow.
In addition to his
travels, freelancing, and making time for his wife and two sons,
Lackey continues to produce work in his studio at Galerie Soleil in
downtown Lexington and maintains an active exhibition schedule.
About this exhibition, Lackey describes his work as: “Part One, in
which attempts are made to fuse painting, printmaking, philosophy,
poetry, music, design, nature, abstraction, video, and coffee."
Wonder what he’ll do for Part Two? Throw in the kitchen sink?
_________________________________________________
November 5 -
November 29, 2007

The third annual Chairity Auction at The Living
Arts & Science Center was a unique and inspired event as local
artists, students, community organizations, and LASC supporters
created and donated one-of-a-kind artful chairs, stools, and benches
to our silent auction hosted on Thursday, November 29th. An event
characterized by creativity, imagination, and a whimsical spirit,
for this year’s Chairity III Auction we added a few
embellishments of our own. For the first time, The LASC is opened
the event to additional home and interior design furnishings and
invited students and faculty from the area’s universities to show
off their skills.
Dr.
Bob Kelly’s second-year architectural design studio from the College
of Design at the University of Kentucky designed and constructed
eight chairs, two lamps, and two tables which were donated to this
year’s auction. Kelly said, "I thought it would be an interesting
transitional project at mid-term before we engage our next building
study. It allowed my students a chance to build something at
full-scale and explore the properties of materials in a hands-on
way." Kelly added, "The project also contributes to a very
worthwhile cause and provides the students with what is probably
their first gallery exhibition. So it’s a winning situation all
around."
This wasn’t the first time Bob Kelly had been involved with
the LASC and the Chairity Auction. He went on to say,
"I was familiar with the Living Arts and Science Center because my
daughters have enjoyed a lot of really great art classes there over
the last several summers. I contributed a piece to their first
Chairity Auction two years ago, so
when the call came out this time, I decided to involve my students."
This year, the LASC offered cash awards for Best in Show, Most
Innovative, and Best Adaptive, plus Seats of Honor
awards. Judging the donated chairitable items were; Pat
Gerhard, well-known artist and owner of Third Street Stuff in
Lexington, Richard Kimbrel and Thomas Birkman, designers and
co-owners of Kimbrel Birkman Interior Design on Short Street; and
local artist and friend of the LASC Fred Pizzuro.
This year, patrons also found these exceptional wares on view
at some of Lexington’s most notable businesses, restaurants, and
retailers. For three weeks (November 5 – November 29) leading up to
the night of the auction, previews of these eye-catching auction
items were found at:
Dudley Square, Singletary Center
for the Arts, Lexington Public Library Downtown, Talon Winery &
Vineyards
(Tates Creek Road),
Kentucky Theatre,
The Downtown Arts Center, Regency Interiors by Gail Moses
(Regency Road), Kimbrel
Birkman Interior Design
(Short Street),
Pohl Rosa Pohl
Architects
(Euclid Avenue), and
Joseph-Beth
Booksellers.
The Chairity III Auction was sponsored by
Denham-Blythe and Regency Interiors by Gail Moses.
_________________________________________________

October 5
- November 3, 2007
RECORDAR, REVIVIR, Y REGOCIJARSE CON
(REMEMBER, RELIVE, AND REJOICE)
The Gloria Singletary Gallery @ The Living Arts & Science
Center was in high spirits to host
Recordar,
Revivir, y Regocijarse con
(Remember, Relive, and Rejoice), a unique exhibition that celebrated Dia de los
Muertos (Day of the Dead) and which kicked off The LASC’s second
Day of the Dead Festival.
The 2007 Day of the Dead Festival exhibition focused on calaveras
(skeletons or skulls), a traditional symbol of the holiday, first
popularized by Mexican artist, José Guadalupe Posada, in the late 1800’s.
His hand printed calaveras were skeletons dressed in contemporary
clothes placed in everyday scenes. Posada’s calaveras frequently
employed humor, satire, and social commentary to challenge and celebrate the
living or mock obituaries in verse as written by the dead for the living.
Today, la calavera has evolved into a widely practiced artform,
using two- and three-dimensional skeletons to depict the living as well as
the dearly departed.
For this exhibition, and in honor of this rich and colorful
holiday, The Living Arts & Science Center invited selected Latino and
non-Latino artists to create a calavera that paid tribute to someone
(or something) prominent within his or her own personal life or acknowledged
on the world stage. Featuring a range of media, from oil paintings to
multi-media works, the calaveras created by more than twenty artists
portrayed heroes, leaders, politicians, artists, other notable figures, and
the everyday people or even ideas that have informed these artists’ lives.
_________________________________________________

August 20
- September 29, 2007
MATERIAL WITNESS/PHYSICAL EVIDENCE
The Gloria Singletary Gallery at The Living Arts & Science
Center headed in new directions, continuing to support Kentucky artists, but
also opened its doors to artists from neighboring states. One of the first
calls to entry offered by the fine art gallery, Material Witness/Physical
Evidence included work from artists representing Illinois, Indiana, and
Tennessee, along with Kentucky.
Jurors Jennifer Reis, the Claypool-Young Art Gallery
Director at Morehead State University, and John Begley, the Hite Art
Institute Gallery Director and Curatorial Studies Professor at the
University of Louisville, selected artists Kristina Arnold, Steve
Bishop, Patrick Donley, Danell Dvorak, Albertus Gorman,
Robert Halliday, Cindy Hinant, Philip High, Mark
Hosford, Rebekah Laurenzi, Keith Linton, Kathleen
Loomis, Jessica Marvin, Scott Massey, Joyce Ogden, and Fred D.
Reaves to participate in this momentous exhibition. Collectively, their
compelling and symbolically charged works ranged from more traditional media such as watercolor,
screenprinting, cast bronze sculpture, and ceramics to mixed media works and
several installations. From little bunny and smiley face stickers to a work
entitled “Saltation” which included several hundreds of pounds of sand, this
show beared witness to a host of materials and processes and focused on work
that established a relationship with the viewer through its physicality and
imagery. The artists represented in Material Witness/Physical Evidence
were willing to push boundaries and appeal to the public’s collective sense
of curiosity. The Gloria Singletary Gallery at the LASC was thrilled to
offer viewers their thought-provoking works.
ABOUT THE JURORS
Jennifer Reis, currently the Claypool-Young Art Gallery
Director at Morehead State University in Morehead, Kentucky, is both an arts
professional and a practicing artist. Her award-winning works have been
included in numerous juried and invitational shows across the nation and
featured in several notable arts publications. Along with conducting
teaching workshops, she serves on several boards and committees to advance
the arts, and has juried numerous national exhibitions.
John Begley is the Hite Art Institute Gallery Director and
Adjunct Associate Professor of Curatorial Studies at the University of
Louisville in Louisville, Kentucky. He is a former Director of the
Louisville Visual Art Association and the New Harmony Gallery of
Contemporary Art. Along with making his own work, he has served as Chair,
committee member, advisor, and grants panelists for several arts
organizations and is a Getty Trust Museum Management Institute and Louis
Comfort Tiffany Fellow.
_________________________________________________

June 25
- August 11, 2007
SIOBHAN BYRNS: THE NEW PINK
At the
heart of The New Pink, an installation by artist and self-made
anthropologist Siobhan Byrns, was an attempt to raise awareness of the
fragility of nature and the human experience. Byrns, a graduate of the
Chicago Art Institute, investigated natural phenomena of our emotional
attachment with beauty, love, and the modern relationship.
The New Pink was inspired, in part, by Lewis Carroll's classical
stories of Alice's Adventures in Wonderland and Through the
Looking Glass, illustrated by John Tenniel. In Lewis Carroll's
presentation of reality from the point of view of a child's fantasy, adults
are cruel, childlike, irresponsible, impulsive, and self-indulgent. In
Wonderland, as Alice travels through her adventures, Carroll manipulates
these prejudices and shows, through Alice's eyes, how these characteristics
apply to adults, authority figures, and even royalty. Byrns also looked to
Sartre who described the human existence as being immersed in a large honey
pot and she added “We spend our lives licking the sweet liquid to the point
of extreme nausea. This quick transition from peaceful indulgence to terror
and sickness propels us out of sweet habit and into our own private
emptiness.”
The series of work presented in The New Pink which included
installations made from honey bees, along with a number of photographs,
hoped to show how we have allowed ourselves to be manipulated into wearing a
seductive pair of rose colored glasses, and trusting our leaders before we
trust ourselves. The lesson that Alice learns is the same lesson we all
should learn, that we must control the objects around us, rather than be
controlled by them.
Siobhan Byrns received her
B.F.A. from the Maryland Institute College of Art, focusing both on
traditional and time-based new media imaging. During her degree, she was
formally trained as a fine art restorationist and conservator in some of the
countries most prominent museums. She has a Masters degree in Photographic
Imaging from the Art Institute of Chicago, with post-terminal research at
R.I.T.’s Munsell Color Science Lab. Byrns currently works with Apple
Computers, Inc. in Creative Software development and as Macintosh Technician
in Pentagon City and Washington, DC and maintains an active artistic career.
_________________________________________________

May 7 - June 16, 2007
KENTUCKY VISIONS at The Living Arts & Science
Center
Kentucky Visions at The Living Arts & Science Center
was an
exhibition featuring 27 Kentucky artists. The 2007 session of the Kentucky General Assembly may have
ended, but the
“Kentucky Visions at the Capitol” visual
arts exhibition was reassembled.
An
exhibition organized by the Kentucky Arts Council,
“Kentucky
Visions at the Capitol” moved from the walls of the Senate
Majority Leadership offices in Frankfort to the Gloria Singletary Gallery at
The Living Arts & Science Center.
The exhibition featured 27 artists from 17 Kentucky counties
who have been awarded the coveted Kentucky Arts Council’s Al Smith
Individual Artist Fellowship, one of the council’s highest and most
competitive awards, and artists who have been juried into the KAC’s Visual
Arts at the Market Program based upon the artistic excellence and
suitability of the work for the wholesale and retail markets. The first of
many group shows to come to the Gloria Singletary Gallery, this exhibition
showcased 2-dimensional works in a variety of media, from oil paintings, a
woodcut, and traditional photography to mixed media collages and digital
light prints.
The Living Arts & Science Center was honored to extend the
viewing session of these esteemed artist’s extraordinary works. Artists
participating in the exhibition were:
David Bartlett
(Rowan County), Patricia Brock (Jefferson County),
Jim Bryant
(Calloway County), Ken Landon Buck (Campbell County),
Paul Burns
(Madison County), Jim Cantrell (Nelson County),
Laura Eklund
(Carter County), Warren
Farr (McCracken County),
Bruce Frank
(Scott County), Linda Fugate-Blumer (Fayette County),
Elsie Kay Harris
(Fayette County), Rebecca Cathleen Hill (Jefferson County),
Emmy Houweling
(Henry County), Michael McCardwell (Shelby County),
Dan McGrath
(McCracken County), Gary Mesa-Gaido (Rowan County),
Kevin Muente
(Kenton County), Kathleen O’Brien (Mercer County),
Letitia Quesenberry
(efferson County), Sandy Miller Sasso (Calloway County),
Carol Shutt
(Fleming County), Guinever Smith (Jefferson County),
Karen Spears
(Fayette County), David Stratton (Daviess County),
Robert Tharsing
(Fayette County), Ralph Tyree (Clark County), and
Gayle Williamson
(Jefferson County).
_________________________________________________
April 13 - April 28, 2007
SCAPA Student Art
The School for the Creative and
Performing Arts believes that "young people with an excitement for the
arts should have the opportunity and encouragement to develop not only a
variety of artistic skills, but also their creativity, self-expression,
academic potential, intellectual insight, moral character, and a sense
of community responsibility." The Living Arts & Science Center believes
that too. That's why we're proud to provide the opportunity for SCAPA
Visual Arts students to display their exceptional artworks and help
bring them to the public eye. The SCAPA Student Art Exhibition is part
of the Art Lease Program which offers creative works of art by Visual
Arts majors and minors to local businesses and "lessees" who get to
enjoy the works in their own lobbies, offices, halls or homes for a six
month period (and for only $60). What a bargain. And what a great way
for SCAPA students to not only show off their artistic talents to the
local community but also earn money for the school and help provide them
with the supplies and materials they need to keep creating. The LASC is
delighted to display the works of these aspiring, young artists and
would like to invite your participation in the Art Lease Program. Visit
the SCAPA Student Art Exhibition at the Living Arts & Science Center.
It's truly one-of-a-kind!
_________________________________________________

February 16 - April 7, 2007
Jim Brancaccio:
A
Retrospective
Beneath the vivid colors and
gravity-defying images of Jim Brancaccio's work, there often lie darker
layers that expose the duality, opposing forces, foolishness, and
ambivalence of life. Hand painted and textured papers and hand pulled
prints (etchings, collagraphs, and monotypes) come together in mixed
media collages that quite deftly explore emotional currents and
mortality. Still very much alive and producing work, Jim says that he is
"fascinated and addicted to the act of combining papers and prints into
artworks that hold meanings far different than the sum of their parts."
Jim Brancaccio
has been a prolific part of the Lexington art scene for over 30
years. As an exhibiting artist, his work has been included in solo
and group shows at Transylvania's Morlan Gallery, at Wingspan,
LexArts, Artist Attic, 3rd Street Stuff, The Living Arts & Science
Center, and at Gallery Soleil. Jim received an Individual Artist
Professional Development Grant from the Kentucky Arts Council in
2000 as well as the Al Smith Professional Assistance Award. He is
also a member of the Bluegrass Printmakers Cooperative and
frequently works in their studio and exhibits in their groups shows
at Artsplace.
Jim recently
retired from the Living Arts & Science Center after 23 years. He
began working with the LASC in 1983 and became the Gallery Director
in 1987. Over the nearly 20 years as Gallery Director, Jim worked
with and supported countless individual artists through solo and
group exhibitions as the LASC. We were very pleased to be able to
present a retrospective of his work as well as showcase some of his
more recent works. Jim Brancaccio's work was also on view at Main Cross Gallery in
Victorian Square and at Level 3 Art on Main Street (above Lexington
Antique Gallery).
_________________________________________________

January 5 - February 8, 2007
Simply Irresistible: H'Artful of Fun Art
Exhibition
This year's H'Artful
of Fun included a preview exhibition in the Gloria
Singletary Gallery at the LASC of outstanding
original works created by the area's most talented and celebrated
artists. From paintings, photographs and prints, to ceramic and mixed
media sculptures, art lovers found that perfect piece (or two, or
three...) to add to their collection. We were also pleased to offer items
donated by the estate of Lillian Boyer, an anthology of artworks from
the collection of an artist and arts advocate admired for her many
contributions to the Lexington community.
_________________________________________________

ABOUT THE
GALLERY
Once a double parlor with
grand, wood pocket doors, The Gloria Singletary Gallery at The Living Arts &
Science Center is a small jewel of an exhibition space in a renovated 1847
antebellum mansion located near downtown Lexington. Two rooms, both with
11-foot ceilings and totaling 108 running feet, can be used together as one
exhibition space or individually. Three exterior walls with oversized
windows provide extensive natural lighting. Visits to the space during
gallery hours are encouraged and a floor plan is available upon request. The
Gallery hosts eight to ten exhibitions each year and schedules shows at
least twelve months in advance. For more information, contact
Stacey Chinn,
Gallery Director or call 859.252.5222.
|